Vst Plugin Male To Female Voice

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Hi I'm looking to convert my male voice to sound more like a female voice with a plugin. Lots of crappy effects Ive run across, anyone found anything r. This is a recreation of a Mellotron/Novatron owned through the 80's, the voices were recorded on a Studer A80, the tape was lost then found in 2004 and work commenced cleaning up the recordings, correcting pitch errors etc. Recreating the Mellotron/Novatron in this VSTi plugin. There are three voice tracks and they are Male/Female Choir, String.

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I posted a gigantic list of free VST plugins two weeks ago, the post was awesome, and I am glad you guys loved it.

On this page, you will find a list of ten best free and paid autotune VST plugins you can download and use for free in your various Daw Software.

Before you start tweaking the knob on various autotune plugins, I think we should understand the basics of what autotune VSTS does, if you have an idea about that, skip this section, and if you are a newbie just getting into knowing how things work first, then continue reading.

Page Contents

  • What is an Auto-Tune?
    • 4) Melodyne (Paid)
    • 2) Waves Tune (Paid)
    • 1) Auto-Tune Pro (Paid)

What is an Auto-Tune?

Autotune is an audio processing VST that is used to correct an inaccurate pitch in vocal tracks or perhaps used to modify or alter pitch in performances, music instruments, and or vocals.

In a simple term, It is used for automatically tuning an off-key or off-pitch sequence, allowing vocal tracks to be perfectly tuned.

When You Should use Auto-Tune

As a singer, you would notice that when you try to sing outside of your comfortable range (range of notes you are physically capable of producing), you sing out of tune.

In this case, you might want to use an autotune plugin to fix that, if necessary. Also, you might use the tool, if you struggle to record multiple takes.

Note: Do not use an autotune plugin on too plenty of pitchy vocals; The best thing to do in this scenario is to take a lesson and practice to sing better.

In my opinion, you do not necessarily have to use an auto-tune plugin on vocal if it sounds great and less pitchy, this is just a preference!

Auto-tune can also be used on a wide load of sounds from an instrument, to getting a type of effect (T-pain effect), enhancing vocal expressiveness, and so on.

Let’s count down from the good to the best!

10) KeroVee (Free)

This is a pitch correction VST plugin tool and has strengthened to support natural pitch correction.

This tool is handy and can perform different and various types of voice effect, for example, a conversion of the male voice to a female voice and vice versa.

KeroVee comes bundled with useful parameters for the effectiveness of the auto-tuning process, Parameter includes:

  • Scale Button: This is for specifying the scale you want to tune. Setting a wrong scale would result in an awful result, in a simple sentence, Know your scale before you go into this one
  • TuneSpeed: This will allow you to set the speed of correcting the pitch.
  • Nuance: This is one of the best and lovely parameters, you can use this to set a fine vibrato of the original sound, use this to create all sorts of weird effects.
  • Amount: Set to zero (0) if you want no correction, setting to 100 will result in full correction of the pitch
  • and many more parameters like Transpose option, master volume, etc.

System Requirements

  • A compatible host program that supports the VST formats

Download KeroVee Auto-Tune Plugin

9) X42-Auto-Tune (Free)

This is an auto-tune plugin that is developed to correct the pitch of a voice when going out of tune.

Its main function is for the correction of tune in vocal range, although it can and may be used on some instruments.

It as a pretty cool and friendly GUI, parameters included are Tuning, Bias, Filter, Correction, offset, and pitch error meter.

Download X42 Auto-Tune Plugin

8) Graillon (Free)

This is an autotune VST plugins designed and developed by Auburnsounds. This plugin is superb in the way it handles pitch correction.

It not only supports pitch correction but supports the generation of throat sounds, making octave sounds, enriching, and enhancing vocal expressiveness.

Also, there is a pitch shift parameter that transposes vocals up and down in octaves and semitones.

System Requirements

  • Available as VST, VST2, AAX, and Audio Unit plugin for macOS and Windows platform.

Download Graillion Auto-Tune Plugin

7) GSnap (Free)

This is an autotune plugin developed by Graham Yeadon of Gvst, Gsnap is one of my favorite autotune plugin, and I use it to create a specific type of effect.

GSnap was designed to automatically detects when a voice is pitchy, that is, when a note is off-key, it would indicate red, and when in tune, it would indicate green, interesting!

However, if you want to achieve a not to perfectly tuned voice, I would suggest you use it with subtle settings.

Extreme settings can create sounds like famous Daft-Punk, T-pain, or Char effects, if this is what you are looking for, go with this setting.

System Requirements

  • Available as VST format (32/64bit) for windows only

Download Gsnap Auto-Tune Plugin

6) VisualVox (Free)

A lightweight intonation correction VST plugin, that comes bundled with pretty cool features like:

  • Producing a perfect vibrato effect
  • Know when your voice is pitchy and when you are in tune
  • Ability to fit a voice into a rhythm by stretching, cutting and also a cut and paste option alongside
  • Ability to create an artificial polyphony from a single voice, e.g. multiple voices,
  • and many more features.

Why do we need an autotune plugin? To automatically correct off-key vocals back in-line, count on Visualvox.

System Requirement

  • Compatible with a VST host system

Download VisualVox Auto-Tune VST plugin

5) MAutoPitch (Free)

With over 50,000 downloads every month, we should crown MAutoPitch the best free autotune VST Plugin.

This free pitch-correction tool is one of the most downloaded, and it is designed for vocals, and other monophonic instruments. It features a scalable and resizable GUI and also lets user chooses between knobs, sliders, and buttons.

The primary goal of a good VST plugin or tool, in general, is to deliver outstanding results in performance and also capable of handling larger processes, MAutoPitch isn’t far from that.

With the ability to handle not only mono and stereo signals but also mid/side encoding for stereo field processing.

Also, it provides high audio quality performance, and uses 64bit audio processing to handle any sample rate (e.g. 192Khz), it is not advisable to go above that, these are just tip of the iceberg of what MAutoPitch can do, it is robust and a great free autotune VST plugin you should lay your hands on.

System Requirements:

Windows

  • Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
  • VST / VST3 / AAX compatible host (32-bit or 64-bit)
  • Intel/AMD processor with SSE2 support
  • Always use 32-bit plugins in 32-bit hosts or 64-bit plugins in 64-bit hosts!

Mac Os X

  • Mac OS X (10.7 and newer, 32-bit or 64-bit)
  • VST / VST3 / AU / AAX compatible host (32-bit or 64-bit)
  • Intel/AMD processor with SSE2 support

Download MAutopitch VST plugin

4) Melodyne (Paid)

I said this earlier, using pitch correction on a bad vocal track would give an undesirable result, great singers make mistakes and this is where the tool comes in handy if and only if needed.

Melodyne is one of the best paid autotune plugin out there. It is designed to work with vocal tracks, percussion, sound effects, and different kinds of sounds you might think of.

It features:

  • Manipulation of notes, harmonies, melodies, grooves, rhythm, editing intonation, and even with polyphonic instruments (e.g. piano or guitar: each note) Crazy right!
  • Automatically detect the tempo, scale and tunning of a sound
  • Beautiful GUI design, and also user-friendliness,
  • and many more features you should check out.

Price

Melodyne comes with a hefty price tag of €699 for the complete Melodyne bundle, Melodyne editor €399, Melodyne assistant €249 and Melodyne essential €99.

System Requirement

macOS

  • Intel Dual Core processor (Quad Core or better recommended), macOS 10.6.8 and 10.11.x to 10.14
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Intel or AMD Dual Core processor (Quad Core or better recommended), Windows 7, 8.1 or 10 (64-bit recommended), ASIO-compatible audio hardware
  • 4 GB RAM (8 GB or more recommended)

Activation

  • Activation Computer-based or iLok USB dongle (2nd or 3rd generation), Melodyne 4 essential only computer-based. Internet access is required for activation.

3) ReTune (Paid)

To be honest, auto-tune is mostly used for correcting pitches, some users do not even know pitch correction is a single feature in auto-tune plugins.

It can be used to create a broad sorts of effects on vocals and instruments or sound effects.

ReTune is an autotune plugin developed by zplane, and it can be used to nudge off-key notes to the nearest semitone, and also supports controls such as the sensitivity of the pitch corrections, smoothing of pitch and more useful features such as:

  • Real-Time Processing: It can be used during live performances on stage and in the studio.
  • Automatically detect input key using zplane’s TONART V2
  • Presets for major/minor scales, chromatic scale, church modes, and gypsy
  • Allows the use of controls for pitch detection sensitivity, transient levels, and pitch contour smoothing,
  • and many more features.

System Requirements

  • Compatible with AAX, AU and VST host system
  • A minimum of 2Ghz and 4gb ram minimum.

2) Waves Tune (Paid)

Waves Audio Ltd is one of the biggest, trusted, and leading company in audio-related software. Let’s take a brief description of the types of wave auto-tune VST plug-ins.

Waves Tune is an auto-tuning plugin developed and designed for pitch correction, and for correctly tuning to a natural taste for creative effects.
There are three types of Waves Tune:

1) Waves Tune Real-Time,

2) Waves Tune and

3) Waves Tune LT.

Waves Tune Real-Time – It can be used during a live performance on stage or performance in the studio, or perhaps for pitch-correcting pre-recorded tracks. Hence, it works in Real-time mode.

Waves Tune – It can be used for pitch-correcting pre-recorded tracks at a greater level of detail, also has a more robust tool for editing pre-recorded track, while Waves Tine Real-Time doesn’t have that.

Waves Tune LT – This is a lighter version of the Waves Tune with basic editing tools for a starter.

Prices

Waves Tune comes with a price tag of $ 119, Waves Tune Real-Time is tag $49, and Waves Tune LT is tag $29, learn more and buy here:

System Requirements:

Mac

  • Intel Core i5 / i7 / Xeon
  • 8 GB RAM
  • 8 GB free disk space on the system drive
  • Operating System – 10.11.6 – 10.14

Screen Resolution

  • Minimum: 1024×768
  • Recommended: 1280×1024 / 1600×1024
  • USB displays are not supported as the primary display.

Windows

  • Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core
  • 8 GB RAM
  • 8 GB free disk space on the system drive

Operating System

  • Windows 7 with SP1 64 bit
  • Windows 8.1 64 bit
  • Windows 10 64 bit

Screen Resolution

  • Minimum: 1024×768
  • Recommended: 1280×1024 / 1600×1024

Learn more and buy here: Waves Tune

1) Auto-Tune Pro (Paid)

Auto-Tune pro is a plug-in developed by antarestech, and it has been undergoing a lot of changes for the past 20 years.

It includes auto-mode and graph mode, auto-mode is for real-time intonation correction, while graph mode is for detailed and time editing.

This program has been used by the most iconic and popular music producers – T-pain, Cher, Daft-punk, to mention few.

Auto-Tune has been more powerful with the invention of Auto-Tune Pro, more comfortable to use than ever before.

Antares added an automatic key detection with the new Auto-Key plug-in, now better and easier to use.

Also, it is designed in such a way that allows a user to naturally correct pitches, humanise for more transparent and low Latency mode so a user can perform in real-time without distracting delay.

Price: $399

System Requirements

  • Requires iLok Version 2 or Version 3. not compatible with iLok Version 1
  • Mac- Supports AAX Native (64-bit only), VST3 (64 and 32-bit), and Audio Units (64 and 32-bit)
  • Windows – Supports AAX Native (64-bit only), and VST3 (64 and 32-bit)

Any suggestions on the Auto-tune plugins listed above? drop your messages below and let’s have discussions on what you think about this list, don’t forget to share this! 🙂

Useful Related posts:

Let’s get your vocals under control with the best vocal compressor plugin software.

As each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there…

All of which were researched and recommended by the best.

Quick answer: Softube Tube-Tech CL 1B is the favorite, but if you’re looking for something less costly, take a look at the FabFilter Pro-C2 as perhaps the most popular option out there.

However, picking off a couple isn’t good enough, compressors differ based on character and style.

So let’s take a closer look 🙂

Find more great gear here:

EQ Plugins for Vocals, Top Waves Audio Plugins, Tape Emulation Plugins,Vocal Microphones

Vocal Compression Guide

What is a Compressor?

Compressors are a bit of a controversial plugin in some ways, as to many it is mystery how it works… and even more of a mystery as to what it can do for them.

This is especially true when it comes to vocal compression.

But as simply put as possible, a compressor compresses dynamic range. So that means that above a set volume (threshold), the compressor will limit the amount of volume increase going out the back end (output) compared to what is coming in the front end (Input).

Given that basic function (compressing and audio signal’s dynamic range), you can imagine the vistas of creative potential open to producers. Imaginative engineers realized you could use them creatively to re-shape the transient shape of sounds. Presto! Compression algorithms became secret sauce.

Hence many fancy named compression techniques, such as of side-chaining, parallel compression, etc., are now used. But not just in a technical way, but as if the compressor was itself a musical instrument.

However, we are on the topic of vocal compressor plugins. So, keeping that in mind, there are a few features that every good compressor should have. Let’s find out.

Features to look for & How to choose

If you follow forum discussions, you will find a lot of opinions about the various types of processors out there. Each producer has their favorite because, given time and experience, one compressor can be somewhat like another.

All compressors will should have these:

  • Threshold – which determines the level your audio signal must be before the compressor can reduce its volume.
  • Ratio – determines the level of compression that will be applied to the audio signal once the loudness threshold is reached.
  • Attack – how fast or slow the compressor will be activated to reduce loudness.
  • Release – how fast or slow the compressor will be deactivated to return the audio signal to is original level.
  • Knee – smooths out the ratio so that there isn’t a sudden change in dynamics.
  • Make-Up Gain – used to “make-up” the amount of gain that has been lost from all that amplitude attenuation.
  • Output – allows you to increase or decrease the sound coming out of the compressor to a desired level.

For a more detailed explanation of each, read thisreal funny exposition of audio compression in music production.

Vst

Beside these featured listed, a compressor may function slightly differently, or offer some additional features that make them useful for whatever purpose you want to use it for… in this case, mixing and recording vocals.

Character and Vanilla

There are “Character” units, and “Vanilla” units. Like the name suggests, a good character compressor will add some depth and personality to your vocals. A vanilla compressor will get the job done without you know it was even in the room, like a good butler.

Other than that, another thing to look for in a compressor is versatility. That and the ability to get the results you want reasonably quickly.

Sometimes those things will conflict a bit. That is why we choose a plugin which fits our needs the best.

Best Compressor VST Plugins for Vocals

Softube Tube-Tech CL-1B

Price & Demos @ Plugin Boutique

Softube is a great name in overdrive DSP and this FET emulation has many, many fans. This one is of an optical unit. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget.

Feature wise it’s a lot like the popular CLA-76 from Waves that we mention below, but the source unit has a unique behavior that made them a top choice. The optical method is prone to being softer and gentler to vocals, while still being able to lay down the law when necessary.

It is all about the secret DSP sauce of how nothing is really linear. Add 2db of Gain and suddenly your sound is different. Changing one knob is like changing five knobs on a “clean” compressor. Over time you can get a sense of what is going on. Until then…

You tend to start out wiggling the vaguely labelled knobs and suddenly something great appears in the murk. This is character processing at its best, and if the unit sounds good then you can’t beat it.

The only downside to nitpick at is that if you’re a control freak you can also find it frustrating, since you can’t so much “control” this unit but rather “guide” it like an air traffic controller guiding a Boeing 747 onto land.

That said, it’s good to give up some control, especially if you know there were some experts at the wheel behind this thing, and the results are often solid.

If this is the path for you then close your doors to the world and make this the only device you use for everything. Just like they did back in 1965. It is part of your “sound.”

Demonstration

Waves CLA-76

Price & Demos @ Waves Audio

Waves have been around for a very long time and for much of it as the top name in the game. Their plugins used to be really expensive. Nowadays if you catch them on sale they are cheap as chips. And general pretty good value for that.

The CLA-76 comes in two guises (blue & black) and both are emulations of versions of a classic 60’s Compressor/Limiter. People still pay big coin for hardware versions of these things for “modern” recordings.

Feature wise, these units don’t have a lot on offer. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. Sounds dull, I know, but in-practice they can be great.

CLA-76 has a pretty fast Attack, meaning there isn’t too much time between a loud transient arriving and the compression goblins leaping into action. Great for drums as you can really flatten them to add thickness, edge and size.

And for vocals? Depends on who you are. Some like the CLA-76 for vocals for that very same reason. Merciless attack times, the ability to really crunch those pop vocals. Others don’t. But some producers, like Chris Lord-Alge, swear by them for the “the sound.”

Another thing to watch out for is that these units add saturation which changes the “weight” of the sound with wee bits of distortion overtones (and some undertones too). This means the units respond very nicely to being hit hard.

Demonstration

Softube FET Compressor

Price & Demos @ Plugin Boutique

More Softube, more emulation. Everyone loves a bit of bounty hunter scum. Or so it would seem with another 1176 emulation. This one looks more like a 70’s Hi Fi than the original though.

Price-wise, when it’s not on sale, it costs more than the Waves unit mentioned. So it’s a good idea to take a look to see if you’re lucky.

However, FET has more features. Softube added some more modern features (along with improving the flow of the knobs) so you can parallel process and alter what parts of the signal trigger the processing goblins. This is doable with some effort in your DAW with the CLA-76, but far easier in the FET.

Again, some people love it on vocals, as it can really rough them up add some punch where needed. Many think the parameter additions make this a better bet there. Just keep in mind that some have noticed that the FET can slide into distortion if you aren’t paying attention.

This is a character effect (processor to be accurate). So be aware that, while you can use it on everything, including vocals, you may find that you’d want to slap this bad boy onto different things in different places.

Demonstration

Softube Summit Audio TLA-100 Compressor

Price & Demos @ Plugin Boutique

Another minimalistic blast from the past. The Summit Audio units got popular in the 80’s, particularly for vocals.

The reason this style of unit works so well for vocals is that it tends to be kind. Besides the Tube-Tech, the other compressors so far have tended to be rough and rowdy (which has its charm) but the TLA-100 is smoother and less noticeable as it goes about its work.

“Smooth”, “controlled”, and “softening” are common adjectives applied to the TLA-100. Softube added a few extra features including a separate saturation section so you can control how tubular it all gets.

The Parallel options seems slightly unusual as that effect is normally used with more brutal compressors but we won’t complain that it is there.

This compressor isn’t a jack of all trades. But if you want a character unit to supplement your core compression, or you want to choose one unit to live with then this could be it. I may just suggest that it could see you struggle with less controlled singers like Rappers.

If you ever feel the need to lay down the law in your vocal mix, refer to the other units mentioned. But for singer-songwriter tracks, this is great.

Demonstration

FabFilter Pro-C2 Compressor

Price & Demos @ Plugin Boutique

This fellow is the real odd one out here. Not because it’s the best or the worst, but because it’s not a character unit. Pro-C2 is all about modern, practical, versatility, and clean.

This is the modern jack of all trades, cover every piece of ground, device that many of us bedroom boys love. Why buy and learn 78 devices when you can get one?

It is also simply the go-to plugin for all your compressing duties on every track, not just vocals. So it is well worth it.

You get a lot of modes targeted at most of the common things you will want to do with a compressor. For instance, its vocal mode helps you to bring vocals to the front of the mix. A nice little addition to a plugin.

Analog, Classic & Optical style modes are also on the list. But honestly, it is doubted that they can really compete with the dedicated units mentioned above. Think of it as leaning a bit that way.

Upside? This is the only unit here to offer control over the Knee of the compression critters. Boggling if you don’t get it but super useful if you do. Especially when it comes to vocal mixing.

Also, if you ever needed to learn how to use a compressor for mixing vocals, you’ll probably find about as many engineers on Youtube showing you how to mix vocals via the FabFilter Pro-C2 than any other one mentioned. You probably think of it as the ‘Fruity Loops’ of compressors.

Also, rather than being stuck in an old-hardware frame of mind the interface is visually informative and very adjustable to suit your task or preferences. You can even pop it full screen on an unreasonable large Retina display!

Demonstration

Waves Audio V-Comp

Price & Demos @ Waves Audio

Waves V-Comp rides on the vintage Neve’2254’s classic sound with its super-responsive dynamics processor.

It has all the typical compressor controls and its interface is intuitive and easy to use. The V-Comp also features a De-Esser switch which functions like a high-frequency side-chain to smoothen harsh high frequencies in the mix. This is a nifty feature that can be turned on and off with a single switch. Also included is a limiter that can be used independently.

While some user reviews do not seem convinced of the V-Comp’s emulation of the actual 2254 machine, many are satisfied with its silky smooth compression. V-Comp lends a unique ‘analog-ish’ color to the entire mix, which we believe to be a commendable feat in itself.

Its vintage-style squashing of the transients is also convincing. There is a bit of warmth in the processed signal which can be further shaped by the De-Esser and the limiter functions.

Needless to say, the V-Comp is a good option for those who want the most out of their buck, especially if you’re going for an easy-to-use plugin that fits most styles of sound.

Waves CLA-2A

Price & Demos @ Waves Audio

The CLA-2A is modeled after the legendary Teletronix LA-2A, a tube-based compressor from the 1960s. The Teletronix LA-2A is prized for its electro-luminescent optical attenuator. The Waves CLA-2A emulates this frequency-dependent action for smooth gain reduction.

Producers love the multi-stage release and the CLA-2A’s quick response, both of which add character to the mix. It seems that most producers use the CLA-2A for leveling purposes, particularly for bass sounds. But it has also proven itself as a competent vocal compressor as well.

Female

Included when buying the CLA-2A are presets made by Grammy-winning mix engineer Chris-Lord-Alge, a side-chain frequency filter, and a limiter mode.

The CLA-2A does not have a lot of tricks, but its historic sound and simplicity makes up most of its charm. It has more than you would ever expect from a product of its price point.

Waves CLA-3A

Price & Demos @ Waves Audio

Based on the original 1969 solid-state compressor, the Waves CLA-3A boasts a transparent compression curve. This ensures a fast response from attack to release, a perfect tool for high-tempo music.

Moreover, it packs a subtle harmonic distortion for some added spice. This works best for bass, as it brings out a unique kink from the sound. Nonetheless, the CLA-3A infuses this edge to your vocals without ruining the signal.

Like the CLA-2A, it uses an optical attenuator for gain reduction. The algorithms behind the compression are program dependent. This means that it is hard to say how a particular setting would change the quality of the sound. This unwieldiness is expected out of any ‘vintage-style’ compressor and is what makes it fun to use.

The CLA-3A’s interface is fairly simple. It has a Peak Reduction knob for controlling the desired compression, and a Gain knob for adjusting the levels after compression.

Overall, the CLA-3A can be used for a wide variety of applications. But its magic is most potent on bass, vocals, and guitars.

Vst Plugins Male To Female Voice

Waves Renaissance Vox

Price & Demos @ Waves Audio

None other than Drake’s producer Noah “40” Shebib has praised this plugin as “one of the most important plugins ever made.” These high words of praise are only equaled by the Waves Renaissance Vox’s packed features.

What the R-Vox lacks in visual appeal, it makes up for in its ‘under the hood’ bag of tricks. It deploys an entire array of expansion, compression, and limiting gadgetry, most of which happens by way automation.

But despite the complex tech behind R-Vox’s processing chain, users are only given three controllable parameters, which are expander and compressor thresholds and output attenuation. Needless to say, producers who want more control over the attack and release times may find the Renaissance Vox too wild of a beast to tame.

Nevertheless, this plugin’s ‘plug-and-play’ philosophy helps producers focus on other mixing aspects by automating the gritty details. And it does this to excellent effect. An instance of R-Vox instantly puts your signal into the front and center of the mix. It adds weight to any signal, which can help for weak-sounding vocals to stand out.

Another added bonus is its relatively small CPU footprint. You can chuck in multiple instances of the plugin without putting a strain on your machine.

Final Thoughts

Vst Plugin Male To Female Voice Changer

What to do?

The Tube-Tech CL 1B unit is the favorite by far. But being a high-ticket item, you may want to consider the other four units mentioned if you’re on a tighter budget.

Then, you can decide if you want to commit to a path, like owning one unit that you use for everything, or having a couple that fits diverging tastes. In the latter case you won’t have one unit that you have to “fight with” to submit to every path that comes across your DAW.

If you’re thinking a character unit, then it really comes down to what appeals to you mostly. Namely:

Waves CLA-76, Softube FET and Summit Audio TLA-100.

Waves CLA-76 and Softube FET may suit people who mix harder and louder (as most of us have to these days), and whose vocalists need more discipline. Submitting to the Summit Audio TLA-100 could be perfect for the folksier amongst us.

But if dollars are the deciding factor, then check if Waves is having one of their many sales right now go grab it!

But for the vanilla producer/engineer, the FabFilter Pro-C2 has so many possibilities. Not only in the “I can’t believe it’s not butter” processing, but in dramatic or effect processing that makes it hard to pass by.

If you want just one compressor and don’t mind the vanilla, FabFilter Pro-C2 is the one ring to rule them all.

The Tube-Tech CL1B, when powered up with the Collection Upgrade, proves itself to be a very competent product. While definitely among the most expensive in the list, its versatility and its added features make it worth every buck.

But one cannot also ignore the CLA-2A and CLA-3A, as these are also very powerful compressors. What makes them interesting are their unique vintage features. If you’re looking for something that would help you develop your personal sound, these two products might suit you the best.

Of course, one could never go wrong with the Renaissance Vox. While also learning more towards the pricier side, the simplicity and the sheer power of this plugin makes it an awesome choice for newbies and vets alike.

On the other end of the spectrum is the FabFilter Pro-C2 which is as simple and vanilla as you can get. If you’re looking for a no-nonsense compressor that does its job, the FabFilter is an ax that will never fail you when you need it the most.