Plugins are great for many reasons. One of those reasons is their ability to be moved from session to session, making it easy to build a workflow and stick to it. Another is how easy it is to recall settings and presets.

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Equalizer APO is a very simple and easy to use audio equalizer. It is a cross platform, and free sound equalizer. To run this software you have to follow these basic steps: Install the software from the download link. It is available in 32bit and 64bit versions. Now execute the.exe file, and follow the installation instruction properly.

With so many plugins, it can be easy to get lost in your search for the best tools for the job. EQ plugins are among the most popular.

This comes from an equalizer’s ability to perform essential changes, which is why they are included with almost every DAW. Picking out where to go from your DAW’s stock plugin set can be tricky however if you are unsure what you want the EQ to do.

This list explores ten of the best equalizer plugins that range from clean, surgical processing to analog gear emulations that give engineers the vibe and character of classic hardware in an affordable, easy to use package.

FabFilter Pro-Q

When you talk to any engineer working with EQ plugins, the FabFilter Pro-Q often comes up somewhere in that conversation. Originally released in 2011, the Pro-Q has garnered quite a reputation.

Since then, it has seen a couple of major updates. Most recently, version three expanded on its abilities offering more functionality in an already amazing package.

To start, the FabFilter Pro-Q offers fantastic sound quality at its core making it well worth the money spent. To build upon great sound, this plugin allows for up to 24 individual bands for complex equalizing jobs without the need to run multiple instances of the plugin.

Version three adds an optional dynamic EQ mode, brickwall slopes for high and low pass filters, per-band mid/side processing, and collision detection via spectrum visualization.

The dynamic EQ mode allows the Pro-Q to react to the incoming signal and only filter out frequencies when they exceed the set threshold. Think of a combination of a compressor and an EQ. This can prove useful when static frequency correction isn’t doing the trick.

When the frequencies you are looking to affect are isolated to only one part of your track, the per-band processing comes in handy as well. The plugin can be set to have control over just left, right, mid, or side.

The best part of this feature is that there is still no need to run multiple instances of the plugin. For example, you may want to make broad changes across the stereo track, but you notice that the sides need a little less low mid.

You can set the specific low mid frequency to only affect the side information from that same plugin instance, without having any effect on what your initial changes are doing to the stereo image.

This equalizer can handle anything you throw at it and its feature set lends itself to the most complex mixing or mastering session. Pair all of these features with one of the best graphical interfaces in plugin design, and you are set to have a great experience with great results.

Often imitated, but never replicated, FabFilter’s Pro-Q has revolutionized what EQ plugins are all about.

Sonnox Oxford EQ V3

Sonnox has established itself as a leader in high-end plugin making. From their praised mastering limiter to mixing tools such as reverb and de-essers, their plugins have received rave reviews for their attention to design and audio quality.

It should be no surprise that their EQ makes this list. The Oxford EQ is a five-band parametric equalizer that is based on the EQ section of the Sony OXF-R3 digital console that helped push us into the digital revolution.

Each band has frequency selection and control over the width of the curve via the Q control. The high and low bands also allow for shelving outside of the high and low pass filters that are available.

The EQ has become known for its versatility due to its offering of four modes that shape how the EQ behaves. The first mode reacts similarly to an SSL4000 E series EQ. Mode two is used primarily for cutting of problem frequencies, utilizing higher Q control settings to make these surgical cuts.

The third mode offers up more console EQ sounds similar to Neve and SSL G series equalizers. Mode four lends itself to broader curves with a more gentle approach and is often used for mastering.

A fifth mode is available to those using Pro Tools HD and/or HDX systems. This mode emulates the George Massenburg GML-8200 hardware equalizer for more precise control over frequencies.

For more information on the GML-8200 EQ, check out our article on the best analog equalizers for mixing and mastering.

If versatility is what you need out of an EQ, the Oxford EQ will be right up your alley. With so many possibilities via the four standard modes, this equalizer can offer you great flexibility for both mixing and mastering.

PSP Audioware ConsoleQ

When mixing, it is sometimes beneficial to give a track some analog flavor. There are many EQ plugins that shoot to emulate the design of classic consoles from Neve, SSL, and API, but PSP decided to take a different approach.

The ConsoleQ plugin shoots to emulate the response of British EQ sections, and more specifically the equalizers found in Amek consoles.

The ConsoleQ is a four-band parametric equalizer that features an additional high pass filter not found on some of the consoles it is looking to model. The control layout is concise and simple, featuring dual-concentric knobs in each of the four bands.

The “upper” colored knob controls gain, while the lower knob acts as the frequency selection. The efficiency of this design provides an easy to operate interface for both novice and experienced engineers.

While you can make mild changes to the width of the curves, there is no dedicated Q control on this plugin. Instead, the Q follows the gain setting of each band.

The more gain you add, the narrower the bell curve will become. This allows for both subtle tweaks to a mix and surgical cuts and boosts when needed.

To add to its versatility, the ConsoleQ also features the ability to change the steepness of the shelving in the high and low bands and adds a saturation button in the output section for added warmth and coloration.

The ConsoleQ provides many options to those looking for a British console vibe in their mixes, and the versatility of its controls and layout makes it a great choice for engineers everywhere.

Sonoris Mastering Equalizer SMEQ

Rather than shoot for color and vibe, Sonoris decided to create their Mastering Equalizer around the idea of high accuracy and clean operation. The results of their efforts yielded a highly configurable EQ with ultimate transparency.

This EQ features seven bands of parametric equalization with control over each band’s type of curve. Bands can be set to operate in high/low pass, shelves, and bell curves for fine-tuning across the entire frequency spectrum.

The EQ can be switched between a minimal phase and linear phase response. Linear phase keeps all of your frequencies in sync with each other by adding a small time delay. This allows for large cuts and boosts to be made without the worry of creating any smearing of your phase relationships across your mix or master.

Furthering what is possible with the SMEQ, the plugin is capable of both mid/side and stereo operation. You can even monitor in mid/side mode if the need arises.

To create the accuracy that the SMEQ has achieved, the plugin also features the ability to upsample the audio being fed into it. Upsampling can give greater accuracy in the high frequencies and can be set to 2x, 4x, 8x, or Auto modes.

In making changes, the plugin also features a spectrum analyzer so you can be confident in what your modifications are doing to a track. The graphical interface as a whole has convenient features such as three levels of zoom and a scalable interface.

In mastering, the highest accuracy is often required, and Sonoris hit the nail on the head. With so many features and extreme flexibility, the SMEQ is a great choice for any mastering project.

Tokyo Dawn Lab TDR VOS SlickEQ

Tokyo Dawn Labs may have created one of the best free plugins in existence with the TDR VOS Slick EQ. Free plugins can find themselves fighting against the premonition that they are cheaply designed or lack essential features that many paid plugins offer. This is not the case with this EQ.

Offering a three-band design with an added high pass filter, the plugin is marketed as a mixing or mastering plugin due to its ability to change character with ease. Four EQ modes are available for varying responses across the plugin (American, British, German, and Soviet).

This makes the SlickEQ a great tool for work that may require color and vibe. Expanding on the EQ modes, there is also the option to color the output stage of the plugin.

Linear output provides the cleanest output, Silky provides an open saturated texture, Mellow adds a subtle warmth to the output, Deep uses odd-order distortion to create more dimension, and Funky emulates the behavior of an output transformer.

Outside of the available sounds, the EQ has great conveniences like copy/paste of settings to other plugin instances, presets, A/B comparison, M/S operation, and a really useful autogain function. This feature automatically compensates for changes that affect the perceived loudness of a track. Not bad for a free plugin.

At the price, it definitely wouldn’t hurt to try out in your mixing and mastering chains. The SlickEQ will not take long to become one of your favorites.

Massenburg DesignWorks MDW EQ5

Totally clean, and lacking any color, the Massenburg Design Works MDW EQ5 has become a staple equalizer in many critical audio environments. This EQ has made its name from the intense attention to detail and precision in the popular parametric EQ format.

George Massenburg is credited with creating the parametric EQ, and this plugin gives great reasons as to why.

Featuring five bands, the MDW EQ5 is capable of making both broad and surgical boosts and cuts. Each band can be set to use different filter types such as shelving, peak/dip, and bell curves.

Q controls, frequency selection, and gain are also available across all five bands, allowing for the most precise changes to be made with ease.

And since this EQ was designed to be crystal clear, the plugin can be used without fear of adding vibe in the wrong places or distortion to a clean recording. Mastering engineers will appreciate its versatile abilities working in tandem with pristine audio quality.

To further the case for this great EQ, the interface allows for A/B switching between changes when comparing a change needs to be quick, as well as a graphic display of the EQ curve.

All of these tools paired with a clean, uncolored response make this EQ great for corrective equalizing. Throw this plugin on a mix or master to yield great results for your most delicate EQing jobs.

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Universal Audio Harrison 32C

Another console style EQ has made the list, but for good reason. Universal Audio went to work on recreating the EQ section of the Harrison 32C console, which most famously was used for Michael Jackson’s Thriller.

This four-band parametric equalizer has gained fame for its smooth and musical response and features overlapping bands to help shape your mixes. The low band is switchable between shelf and bell response for precise or broad adjustments across your low end.

Just like its console counterpart, the Q control is handled with circuitry that adjusts itself automatically based on the settings of the plugin. In addition to the four available bands, 12dB per octave high and low pass filters were added to this plugin for the ability to tweak any low-end rumble or high-end harshness issues.

The 32C equalizer may not be the tool you need for steep, narrow cuts and boosts, but the color and character you can pull from this equalizer make it a great choice for shaping tracks and giving them a smooth high-end sparkle that the console became known for.

Console equalizers such as the 32C plugin have made using legendary equipment much easier, and having this kind of character in your toolbox could work wonders for your mixes.

Waves Linear Phase EQ

Part of what we love about certain equalizers is the coloration they can add to a mix or master. Some of this color can come through the minimal phase shifting that inevitably happens when using filters and EQs.

Whether it fattens up a sound or adds a certain sparkle to the top end, this kind of character is often desirable. However, there are some times where we want to maintain consistency (and phase) throughout our tracks, even with EQ changes.

The Waves Linear Phase EQ helps solve this problem. On the surface, this equalizer shares a fairly standard approach to EQ plugin design, offering five bands with variable curve shapes, Q control, and frequency selection.

The magic with this EQ is under the hood. To combat the phase shifting that can rear its ugly head from time to time, the linear phase EQ creates a small time delay to ensure that all of your frequencies stay in sync with each other as changes are made.

This type of processing can add latency to your tracks, making this plugin a special utility tool for tracks where phase can be easily thrown out of sync. In addition to this, Waves gave the plugin the ability to add dithering, making this a good choice for mastering engineers looking to finalize their tracks.

While this EQ does not offer any of the coloration we often look to emulate, it is the perfect tool for correction without the added worry of phase shifting. This probably won’t become your go-to EQ plugin for every project, but you will be glad you have it if the need ever arises.

Sound Radix SurferEQ2

Most EQ plugins tend to be static. You pick a frequency and make your desired change to that frequency to eliminate any issue or add what is needed to a track.

A lot of the time, that is all you need an equalizer to do, but Sound Radix decided to tackle another problem with the SurferEQ2. Rather than remain static, they decided to add the ability for this plugin to “surf” the soundwaves, and adjust its bands based on what the music is doing.

The SurferEQ2 has seven bands of parametric equalization, that feature Q control and the option to change the shape of its curves. The surf function is really what makes this EQ special though. Using analyzation of the incoming signal, this plugin can help retain the timbre of any track by making changes in real-time.

Have you ever had a vocal that sounds great in a verse, but when the chorus comes along, your EQ changes don’t seem to retain their effectiveness?

The changes in a track’s pitch can affect how an EQ responds when using static cuts and boosts. With the ability to make changes, the SurferEQ2 looks to maintain your track’s sound throughout the song, thus eliminating these frustrating issues.

Sound Radix added MIDI control to this plugin as well, meaning the pitch detection in the surf mode can be fine-tuned with a MIDI controller for even more control over your frequencies. A spectrum analyzer adds the finishing touches to the plugin’s interface making it simple to see how the surfing affects your music over time.

In the world of digital audio, these kinds of advancements make any EQ toolbox much more effective and more prepared for unique problems.

If consistent timbre is at the forefront of your wishlist, check out the Sound Radix EQ for your mixing and mastering needs.

Brainworx bx_digital V3

Touted as the first Mid/Side plugin available, the bx_digital EQ by Brainworx has made waves in the mixing and mastering communities for its controls and accuracy.

The layout of this plugin is not as simple as some of the others on this list, but the amount of control given by this plugin makes its interface well worth learning.

The bx_digital has three different modes ranging from stereo to M/S. There is an M/S mode geared towards mixing and there is another for mastering.

The center section allows for width adjustments to the stereo image, panning between left and right, and input/output gain. The EQ section features five bands of parametric adjustment, each with gain, shape, Q control, and frequency selection.

On top of all of these features, there is a dynamic EQ option given in the section above its analyzers.

The bx_digital adds no color, rather it is a transparent EQ for solely corrective moves. Even without color, it takes inspiration from API console equalizers when using the proportional Q mode. This mode emulates the precision and surgical Q settings that are available with API equipment while retaining its clean operation.

The bx_digital is an EQ that shoots to be your ultimate mastering solution, but with new features such as dynamic EQ, proportional Q, and an increased resolution to 40kHz, it can work wonders on a mix as well.

Conclusion:Digital equalizers are some of the most influential plugins in your chain, and thanks to advancements in technology, many features in these plugins can give you a plethora of options in your mixes and masters. Whether you want coloration, transparency, or even the ability to change your curves in real-time, these EQs have helped revolutionize what is possible with nothing but software.

Digital equalizers are some of the most influential plugins in your chain, and thanks to advancements in technology, many features in these plugins can give you a plethora of options in your mixes and masters. Whether you want coloration, transparency, or even the ability to change your curves in real-time, these EQs have helped revolutionize what is possible with nothing but software.

If you’re looking to hear what quality EQs can do for your mix, follow the link here for a free mastered sample of your song:https://www.sageaudio.com/register.php

Happy equalizing!

Get a Free Mastered Sample of Your Song → SageAudio.com/register.php

Sage Audio Mastering

Nashville, TN

EQ plugins probably seem pretty straightforward with basic functions and maybe a few extra features. While this may be mostly true, you shouldn’t underestimate how essential an EQ plugin is to creating the best sound for your mix. If you take a look, you’ll quickly find that there are hundreds and hundreds of EQ plugins currently available. These are not all made equal. Sifting through these numerous options to find the one that will work best for what you need can be a daunting task.

Yes, your stock EQ plugin is quick and easy to use on your DAW, but you shouldn’t limit your creativity. It’s worth it to expand your horizons a bit to discover new controls and sounds to really advance your mix. Now we’re going to take a look at some of the best EQ plugins that we recommend.

Top 11 EQ VST Plugins

1. FabFilter FabFilter Pro-Q 3

There’s no question that the FabFilter Pro-Q 3 is among the top EQs currently available. It has an abundance of features that work across the musical genres. Its 24 separate bands make it possible to shape any sound with surgical precision. For each band there are eight distinct filter shapes to explore as well as nine slopes for low and high-pass filters. You’ll also get other features that you would expect like bandwidth controls, frequency, and gain.

One feature that absolutely stands out with this plugin is the amazing spectrum analyzer. This gives you the ability to see your waveform frequencies. If you look at the bottom of the analyzer, you will see a small piano roll that gives you a visual of the notes and the corresponding frequencies. This will help you quickly identify and correct any frequencies that stand out too much.

You’ll find three processing modes to work with: Zero Latency, Linear Phase, and Natural Phase. Within each of these modes you’ll find different processing capabilities that will help you get where you want to go. You also have the option to switch between mid/side processing and left/right mode to set how you will process your incoming signal.

There’s a reason why the Pro-Q 3 is one of the most in-demand EQ plugins that money can buy. It would be difficult to find a plugin that offers more versatility and functionality.

Pros

• Spectrum visualizer is very beneficial
• Awesome selection of filter types
• Fantastic surgical capabilities

Cons

• Dynamic EQ is not super clear

2. Softube Tube-Tech Equalizer Collection

If you’re not familiar with the smooth, warm tones that tube-driven passive equalizers produce, you need to get familiar. These incredible tones will improve the overall quality of just about any instrument or vocal sound. These types of equalizers have been used by top engineers in studios around the world for many years. Now that sound can be produced with just your computer and a plugin like those found in the Tube-Tech Equalizer Collection.

The PE 1C should be your go-to if your goal is to add punch to your low-end or shimmer to your high-end. It’s a digitized version of the legendary Pultec tube-driven equalizer, which certainly stands apart from other equalizers in this category. Another plugin from this collection is the ME 1B, which can get the job done with its high frequency peak, mid frequency dip, and low frequency peak controls.

The Tube Tech Equalizer Plugin includes emulations of some of the most popular equalizers ever used, so it’s certainly an awesome addition to your EQ collection.

Pros

• Both tube-techs sound amazing
• Dual EQ interface is impressive
• Ideal for adding coloration

Cons

• Can’t reorder the EQs
• Preset manager can be bothersome

3. iZotope Ozone 9

The iZotope Ozone 9 gives you more bang for your buck with not one but two EQs: the Dynamic EQ and the Vintage EQ. The Vintage EQ is based on the incredible Pultec EQ. It makes it easy to add that classic warm tone that analogs are known for to your signal. It’s simple to use as you only have to handle the cuts and boosts. This particular EQ does not have bandwidth controls.

The different sections of the Vintage EQ allow you to boost and cut the frequency ranges that you specify. If you prefer not to work entirely in stereo, you can easily toggle into mid/side or left/right mode. This feature, which allows you to split your signal, is really cool, especially when working with top-notch analog tones.

The Dynamic EQ, on the other hand, gives the user increased control with six bands and a user-friendly interface. The bands only go into action when the input signal surpasses the threshold that you determine. In this way, you can control the signal only when necessary. With many multiband compressors, you’ll experience phase shift in the EQ process. That isn’t the case with the Dynamic EQ. It’s also super easy to bounce between analog and digital modes to see what works best for your sound.

These two EQ plugins offer pretty much everything you could want when you’re ready to tackle EQ. However, we should note that you will have to purchase the entire Ozone package to gain access to them.

Pros

• You get two separate EQs with distinct features
• Vintage EQ gives a warm analog sound
• Dynamic EQ increases the user’s control over their sound

Cons

• Ozone 9 might be cost-prohibitive for some

4. Soundtoys Sie-Q

Soundtoys has an incredible range of effects plugins that rightfully get a lot of attention, but don’t overlook the Sie-Q, which also happens to be one of the top analog EQs currently available, particularly if you’re on a budget. The Sie-Q was inspired by the Siemens w295b, a 1960s German EQ that was included in the Siemens Sitral Console. With the original hardware, you had to insert different EQ cassettes based on the particular sound that you were looking for.

The Sie-Q’s Low and High controls enable you to get variable frequency responses based on the gain level. They also let you boost or cut frequencies up to 8dB. With the Mid control, you can focus in on six frequencies that are found between 500Hz and 5.6kHz.

One unique feature is the saturation knob. This puts the power in your hands to add some distortion if you like to your signal as it moves out. This plugin is not meant for those who are trying to produce a super clean mix. But if you are going for a warm vintage coloration, you’ll be impressed with the sounds you can achieve with the Sie-Q.

Pros

• Unusual overdriven sound
• Inexpensive

Cons

• Not super flexible

5. Sonible Smart: EQ 2

The Sonsible Smart EQ 2 is indeed among the smartest EQ plugins currently available. The features on this plugin make it more than capable to handle all of your EQ needs. The Sonsible Smart Engine Filter Technology will target any tonal imbalances that occur as a result of EQ. This element alone makes this a must-have plug-in.

The EQ 2 fully analyzes the incoming signal and then creates a customized filter curve that delivers a natural balance. If your goal is to eliminate all the nasty sections of the signal, the EQ 2 can definitely handle this for you. If you think your signal could benefit from increased clarity or punch, this plugin can take care of that too. The Sonsible Smart EQ 2 does all the heavy work involved in refining audio while you reap the benefits.

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Pros

• The EQ curves are super transparent
• The AI works accurately, saving on time and effort

Cons

• Delay time for locking in the EQ might not work well for live situations

6. Boz Digital Labs The Hoser XT

The Hoser XT is an emulation off the classic M462B Ward-Beck Systems hardware equalizer that enjoyed popularity years ago. This channel-style EQ is an ideal choice if you want to inject some color and cohesion into your mixes. As a bonus, you also get the original Hoser plugin with your purchase. Sound engineers love the Hoser XT because it is CPU-friendly and won’t crash in the middle of a session.

The Hoser XT gives you authentic analog tones that seem to improve any signal. Don’t be shy with going all in with the gain on frequencies because distortion will not be an issue. There’s also mid/side processing and left/right processing capabilities, which enables you to add some stereo width to mono signals, among other benefits.

As we already mentioned, you will also receive the Hoser, which features a more compact design. It only offers mono and stereo modes and does not have an M/S processing option.

Pros

• Very authentic emulation
• Super easy on the CPU
• Added Mid/Side Control

Cons

• Doesn’t have a solid demo version

7. Sonnox Oxford Dynamic EQ

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If you’re a producer in these modern times and you don’t have a dynamic equalizer plugin at your disposal, it’s time to fix that. If you have the money to spend, I would go straight to the Sonnox Oxford Dynamic EQ. This plugin has five separate bands and Oxford Type-3 EQ filters. These filters go way beyond what’s expected. They give you proportional-Q settings and also have an onset detection feature, which is particularly beneficial when you have an instrument like drums with powerful transient signals.

Another cool feature is the EQ listen mode, which enables you to listen specifically to the audio that is being processed in that moment. This makes dynamic control changes a breeze since you won’t have to A/B multiple times. This EQ VST also gives you mid/side processing, which is becoming more common with this style of plugin. This can be utilized to address high energy to the outside or low energy to the center. The GUI is basic but effective, the bands are versatile, and the processing is incredibly precise. It costs more than other dynamic EQ plugins currently available, but it’s certainly worth it if you can afford it.

Pros

• Well organized GUI
• Superior sound quality
• Crazy flexibility

Cons

• Quite expensive

8. Tokyo Dawn Labs TDR Nova GE

Producers are drawn to dynamic equalizers because of their versatility and capabilities. If you don’t want to dig too deep in the wallet, the Tokyo Dawn Labs TDR Nova GE is a great dynamic equalizer option. It will give you the tone that you expect from a dynamic parametric equalizer along with additional features that can be utilized for almost any type of mix.

The Nova GE features six dynamic EQ bands that work independently from each other. Their dynamic processing capabilities include downward compression (otherwise known as gating) along with upward and downward compression. In addition to the standard EQ filters, you’ll also have access to a variety of low and high-pass filters.

If you want to take advantage of some AI-style automation, be sure to utilize the Smart Operation panel. When this is activated, the plugin handles equalizing on its own, which involves removing unwanted resonances, matching spectrum frequencies, and so much more. We should point out the convenient drag and drop display, where you’ll find a number of easy-to-access knobs you can use to tweak the signal processing parameters. You’ll also definitely want to try out the equal loudness function, which makes it easy to find the ideal setting while keeping the overall loudness consistent.

The Tokyo Dawn Labs TDR Nova GE is an impressive equalizer that should be used by way more sound engineers.

Pros

• Top-notch dynamic equalizing
• Gorgeous interface
• Smart Operation and Equal Loudness functions

Cons

• No simultaneous analysis of the input and output

9. Softube Chandler Limited® Curve Bender Mastering EQ

The Softube Chandler Limited is a highly recommended digital mastering equalizer with that desirable analog quality. It offers insane control, incredible sound quality, and component-level modeling. This plugin perfectly emulates the original equalizer circuit from the EMI TG12345.

The curves on this EQ plugin have been meticulously designed to offer subtle mastering touch-ups. Whatever you are looking to achieve in your mastering, this EQ makes it simple. You’ll also have mid/side processing capabilities so that you can perfectly tweak your stereo field. The original console only offered two bands, but the Mastering EQ gives you two additional bands to work with. You also go from nine filter points in the original to 51 in this digital version. This gives you incredible room for creativity as you sculpt your master without having to worry about harshness.

This plugin also provides you with some amazing presets from celebrated mastering engineers like Joe Chicarelli, Tony Maserati, Maor Appelbaum, and Kevin Kadish. Whatever you are looking to achieve as you perfect your stereo field and finalize your mix, the Curve Bender will help get you there.

Pros

• Awesome sound for mastering
• Authentic control
• Adds excitement to the whole frequency range

Cons

• Out setting on frequency selectors isn’t needed

10. Wavesfactory Spectre Enhancer

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The Wavesfactory Spectre stands out among all the other ones we’ve mentioned with its unique functionality. It doesn’t utilize phase manipulation processing like you would expect it to. It actually works through harmonic saturation. It’s pretty limited because it only works for boosting, but what it does it does well. It is an ideal option if you are looking to add some body and punch to your mix.

Surprisingly, it combines its graphical EQ features with an enhancer. This gives you the unique capability to process not only the dry input signal but also the EQ signal. You will be impressed by the efficiency of this plugin when you are working on sub-busses, single tracks, or even the complete mix. It offers multi-band enhancement with 10 distinct saturation algorithms. This is an unusual way to add color and zest to your signals.

The Wavesfactory Spectre never claimed that it can cover all of your EQ needs, but you should certainly consider adding this funky EQ to your collection. It has a unique way of enlivening a static mix.

Pros

• Unusual and creative EQ/enhancer hybrid
• Stereo, left/right, and mid/side processing
• Offers a great selection of quality saturation algorithms

Cons

• There’s no input or output visualization

11. Voxengo Voxengo PrimeEQ

Beginner producers have an overwhelming amount of software and gear that they’ll need to accumulate. There’s no reason to spend more than necessary on plugins when you are just figuring things out. Our advice is to master the cheaper plugins and then graduate to some of the higher ends when you are ready. The Prime EQ is one of those cheaper plugins that we recommend working with in the beginning. It’s a strong parametric equalizer that can help you achieve all your EQ goals.

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The interface is designed to give the user complete control. Use the differential filter display to figure out how a specific filter affects the overall shape of the EQ signal. You can make changes efficiently because of the control points located on the EQ. The PrimeEQ does not make use of a continuous EQ curve like you might expect. Instead it features independent parametric filters.

One thing that’s helpful for new mixers is that it gives you a visual representation of the frequencies that are running through it. PrimeEQ may be an affordable option, but there’s still plenty to love about this plugin with its amazing customization options and its helpful visual interface.

Pros

• Versatile interface
• An abundance of filter options
• Cheaper than most EQ plugins

Cons

• Not enough presets
• Default setting is not preconfigured

Plug into EQ

Becoming more experienced with EQ can improve your mixes by leaps and bounds. Invest some time and money into some of the EQ plugins we’ve suggested and see the results for yourself. Make sure you target the right plugin for your skill level and work your way up. Never underestimate the importance of EQ in shaping the perfect mix.